SOUND EQUIPMENT
A standard sound package includes a recorder/mixer with camera tails, 2 radio mics and a boom mic. This covers most single interview set ups and similar talking head set ups. The standard package can be expanded to add timecode, numerous radio mics, iem's and extra sound equipment as needed. Once information about the shoot has been communicated, we can arrange all the audio kit necessary for a smooth production.
MULTI TRACK RECORDER
Sound Devices 664
12 input analog field mixer with 16-track integrated recorder and timecode
RADIO MICROPHONES
Lectrosonics SRB's & SMDB's
4 radio mics with Sanken Cos11 lapels. Operating in Block 606
MICROPHONES
Interior and exterior microphone kits
Sennheiser MKH 60 super cardioid rifle mic with super softie
Sennheiser MKH 416 short shotgun mic with rycote kit
Sennheiser MKH 40 cardioid mic
Sennheiser MD 42 dynamic omni reporters mic
Shure SM58 dynamic cardioid mic
AKG C542 BL boundary layer mic
TIME CODE
Timecode boxes and digital slate
3 Tentacle sync boxes
1 Denecke TS-C Digislate
WIRELESS IN CAMERA AUDIO
Mono mix guide track audio
2 Sennheiser EW 100 G2 systems (rx/ tx)
1 Sennheiser EK 100 G1 (rx)
Cables to interface with most cameras including Arri, Red, Sony, Canon, Panasonic & Ursa
IEM'S
Client, director, agency headsets
1 Sennheiser EW 300 IEM G2 (rx)
1 Sennheiser EW 500 G2 (rx)
7 Philips wireless headphone receivers
Operating in Range E
BOOM POLES
Panamic & Ambient
Panamic maxi boom pole (1.50 - 4.06m)
Panamic mini boom pole (0.80 - 3.00m)
Ambient Quick boom pole QX 550 (0.50 - 1.95m)
OTHER
Extra gear available as needed
Sound Devices MM-1
Light stands with boom grip and sand bags
Sound blankets
Laptop computer
All ancillary cables
Peli cases 1610,1560,1500